Molly Ringwald Shares Her Concerns About Hollywood Predators: 'It Can Be a Nightmare'
In an appearance on Marc Maron’s “WTF” podcast, Molly Ringwald opened up about the challenges young actresses face in Hollywood, revealing her efforts to dissuade her 20-year-old daughter from pursuing acting due to the predatory nature of the industry. Known for her iconic roles in ’80s classics like “The Breakfast Club” and “Pretty in Pink,” Ringwald recounted her own experiences of exploitation as a young actress, emphasizing the inevitability of such encounters for women in the industry.
Reflecting on her early career, Ringwald said, “I always felt isolated in Hollywood because of my age. I wasn’t into the club scene and was quite introverted at the time. I feel more social now than I ever was back then.”
Ringwald corrected him, stating, “Oh, I did face exploitation. It’s impossible to be a young actress in Hollywood without encountering predators.”
She elaborated on her experiences, saying she often found herself in dubious situations but relied on her strong survival instincts and a solid sense of self to navigate and protect herself from the industry’s dangers. “I have a 20-year-old daughter who is also entering this field, despite my best efforts to steer her elsewhere. It’s incredibly tough.”
Recently, Ringwald watched “The Breakfast Club” with her daughter and found certain aspects of the film outdated. Speaking to The Times of London, she expressed love for the movie but criticized parts that haven’t aged well, particularly Judd Nelson’s character, John Bender, who sexually harasses her character.
“I’m thankful we can now acknowledge these issues and recognize how things have changed,” she said.
In a widely discussed 2018 NPR interview, Ringwald shared her evolving perspective on the films that brought her fame. She highlighted a troubling scene from her 1984 film “Sixteen Candles,” where her character’s crush, Jake Ryan, considers taking advantage of a passed-out girlfriend.
“When we worked on those movies, John Hughes intended to produce something distinct from ‘Porky’s’ or ‘Animal House,’” Ringwald remarked. “But, as many agree, times were different back then, and what was deemed acceptable should not have been. It’s a difficult balance because while I appreciate much about those films, I also oppose many of the problematic elements.”
It’s challenging because there’s much I appreciate, and I don’t want to seem ungrateful to John Hughes. However, I cannot condone many aspects of the content.”
For more information listen Original Molly Ringwald Podcast
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